Doctor Who Speculation post after s10 e11

Ok, let’s speculate, how do you deal with two Masters (or a Missy and Master), Bill as a Cybermen and a huge spaceship full of Cybermen?

Simm Master says to Gomez Master ‘I’m concerned about my future’. 

So Simm Master becomes Gomez Master at some point.

Okay, easy enough so far.

Therefore the Simm Master has to be killed, preferably by Missy.


To create a temporal paradox. Two Missies can’t be. If Simm Master regenerates into Gomez Master with Gomez Master already there.

Yes, it’s a giant Reset Button kids. 

Time Lords from different points in their own existence should fizzle a bit, so we’re at Father’s Day in Series 1 with the Ninth Doctor a bit. Day of the Doctor has the excuse that Doctors Ten and Eleven were made to interact with the War Doctor through the influence of the Moment device.

But.. didn’t the Master die already with the Tenth Doctor in ‘Last of the Timelords’? 

Kind of. Lucy Saxon brought him back  for ‘The End of Time’. But same guy but blonder and madder and more well, everything.

Whether the events of those two episodes are even relevant I don’t know, and is Simm-Beardy-Master before or after Simm-Blondie-Master in timing? The reference to Harold Saxon means he’s definetly after Simm-Saxon-Master, but we know nothing else.

If it’s a linear progression of Simm-Saxon-Master, Simm-Blondie-Master, Simm-Beardy-Master, Gomez-Missy-Master, then that’s simpler, but leaves the issues of two different incarnations of the same Time Lord at the same time and obviously their self interest not aligning vis-a-vis The Doctor. Simm-Master presumably hasn’t encountered the Twelfth Doctor before, but Gomez-Master owes him her life. 

Okay,  so there’s some dramatic tension between two different antagonists, but their whole relationship won’t be almost mutual automatic trust as between the Doctor’s different incarnations but, will have more nuance. 

Simm-Master will realise that his existence can be ended resulting in the paradox. He’s created a paradox machine before from The Doctor’s Tardis. We have usually assumed Missy not to have a Tardis. But then again, how did she get off Skaro after the encounter with Davros in ‘The Magicians Apprentice/The Witch’s Familiar’

If Simm-Master isn’t the direct predecessor of Gomez-Master, then we’re off on the River Song sort of Timey-Wimey timeline.

 If Missy-Master does die in The Doctor falls, then who does Missy then regenerate into? Presumably our Thirteenth Doctor needs a Master too. Obviously better if Missy’s fate isn’t resolved just yet.

So, logic leads me to Gomez-Missy-Master killing Simm-Beardy-Master but along the way is the question of The Doctor and Bill and at what point and level a paradox works especially in what is effectively a gravity well with time running faster at the part of the ship nearest the black hole. 

Differential time, Differential effect is possibly the get out available to stop the finale merely being a Reset of events. Missy will well understand the effect of the Black Hole, possibly to know that killing the Master later might have less overall effect than earlier and lower in the ship.

Doctor Who s10 e11 – World Enough and Time.

Cold Open. 

The Tardis lands somewhere in snow.

The Doctor stumbles out onto his knees saying ‘No’ whilst regeneration energy pulses out from his arms.

Then the Titles and a spaceship.. 

A big one. A very big one and it’s headed into a black hole.

Next is the groan of the Tardis ‘Vworp Vworp’ sound on the spaceship’s Bridge and Missy then emerges as ‘Doctor Who’ making a speech to the room.

‘My disposables, comic relief and exposition.’ is quite a line about Nardole and Bill as she introduces herself to well, no-one on the bridge.

Meanwhile, The Doctor sits eating crisps whilst watching this test on his Tardis ‘iPad’.

Things become critical when a blue man from the crew enters the bridge and wants to kill Bill as she’s human. There are creatures coming up in the lift and they want humans. 

Here, the Doctor has to intervene.

Bill gets a big round hole in her body from the Blue Man’s blaster despite the Doctor’s protestations.

‘He’s having an emotion.’ says Nardole in flashback as The Doctor pleads with Bill to accompany Missy on a test run as she is still his ‘best friend’ and he wants his companions to accompany her.

Bill says ‘Promise me you won’t get me killed’, of course, he can’t promise.

Back to the spaceship and the lift arrives.

Hooded creatures emerge and say ‘Step away, she will be repaired.’

The Tardis crew and blue man let them.

‘Wait for me.’ Are the Doctor’s words as the Doors close on the lift.

Bill later awakens in a creepy hospital and starts to explore the rooms. All the while, she hears a metallic voice saying ‘Pain, Pain, Pain.’ 

She finds an old style hospital ward full of people that are white hooded and hooked up to drips. 

A scary Matron then enters.  She seems to calm the patient but has merely turned down the speaker on his head from ‘pain’ on the patient as Bill discovers after the Matron leaves.

Bill then has tea with a mysterious bearded man with an accent, who shows her the Doctor  and the others on a black and white TV screen. The man is effectively the caretaker. Mr Razor.

‘Time moves faster, top of ship very slow, very fast bottom.’ He tries to explain to her.

The TV is effectively a still picture.

‘Gravity slows time.’ Lecturer mode from the Doctor. 

Black hole and one end of the ship from the other.

Whilst mopping the ‘Conversion Therapy’ room as Razor’s helper, Bill looks out a window onto what appears to be a city. 

Bill has a vision of The Doctor saying ‘Wait for me.’

She later visits the city with Mr Razor, a dystopian polluted place. ‘You must be strong to leave the Hospital.’ 

Bill really isn’t after her surgery and has to go back there with him.

Venusian Aikido is used by The Doctor to escape the Blue Man – wahey!!!

The Doctor, Missy and Nardole then take the lift down. ‘It’s only been Ten Minutes’ comments Nardole.

Meanwhile, Bill persuades the Caretaker to take her to the lifts, but, he betrays her and takes her to the room where Cybermen are converted.

The Doctor gets Missy to search the Computer whilst the Doctor and Nardole explore.

‘Earth like planet, if Earth had a twin.’ Says Missy  looking at the computer whilst the Caretaker tries to talk to her.

Missy tries to warn him away from her.

Missy :- ‘This ship is from Mondas.’


The Doctor:- ‘A Mondasian Cyberman.’

The caretaker confronts Missy  after she says ‘Doctor!’ to attempt to warn him.

The caretaker pulls a gun similar to the one the blue man had and stops her.

He continues with ‘You would never be so self destructive.’

Yes, it’s the Master after he pulls off a rubber head.

‘Hello Missy, I’m the Master and I’m very worried about my future!’

The Doctor and Nardole find the operating room and a Mondasian cyberman.

They question it and it turns out to be Bill.

‘I waited for you’ and a tear through the metal eye.


My view

As clever an episode of NuWho as there is. 

Incredible turn by John Simm under the prosthetic mask as Razor.

A shame the London tabloids spoiled his comeback so long ago. If you hadn’t known, it would’ve be epic.

Pearl Mackie superb once again as I seem to keep saying.

Pace of direction and musical score seemed perfect 

Clearly 9/10 and a high point of a good season. The menace of the cybermen was there.

Doctor Who s10 e10 : The Eaters of Light.

The Imperial Roman Army. Legio IX Hispana. 

Subject of ‘The Eagle of the Ninth’, a famous historical novel by Rosemary Sutcliffe and interpreted and re-interpreted since. 

I previously read and enjoyed ‘The Last Legion’ by  Valerio Massimo Manfredi, however, it linked into the legend of Arthur and had other tales to tell. 

The movie ‘The Eagle’ in 2011 was based on Sutcliffe’s book.

Now, the truth or otherwise of the disappearance of the Ninth Legion in the North of Scotland isn’t exact historical fact and pieces of artifacts show the Legion in what is now the Netherlands in the mid second century, around a century later.

It wasn’t unknown for a legion to be raised again after being annihilated, but, the Roman Army was cautious about the bad luck associated with defeats. It may or may not have been a direct continuation of the IX legion that landed in Britain.

Caledonia, as it was called by the Romans, was subject to a fair bit of Roman activity. 

Ultimately, it was never truly conquered in the way it’s province of Britania was. However, their control of the rest of the island did influence all the tribes on the island and also influenced and controlled trade.

The history and archeology are unfortunately sparse in terms of what happened with the Romans in Iron Age Scotland. 

There’s a lot of maybes to the history and, of course, modern settlements and roads have followed  over the Roman’s initial paths.

One day, there may be an answer about the Ninth, but it’s plight leaves it open to storytelling.

And that’s what Rona Munro did and did well with ‘The Eaters of the Light.’

Bill and the Doctor want to know it’s fate. As ever, the Tardis delivers them with Nardole and the team investigate. Bill goes off one way and the Doctor another. 

They come across Romans and Picts and eventually bring them on side to fight a beast that comes from a portal in the broch or cairn built into the ground. 

The beast destroyed the Ninth and was released by the young pict sent to guard in case it came. Which leads to a few Romans hiding from it and a few Picts hiding too.

A tale about the invasion of a land and the desperation in defending your culture from change leads to a need to cooperate to survive.

‘Survival’ was Munro’s last Doctor Who tale, for another Scottish Doctor and the end of the original run of Who before the 2005 revival.

The guest cast was young and did well, we had a few good lines from Nardole and The Doctor back toward the edgy grumpy one of Series Eight.

So grumpy that he’d sacrifice himself to guard the portal to ensure the beast doesn’t return but Bill sensibly whacks him with a Mirror. This shows she’s beyond Professor and Student relationship and clearly now knows what’s best for him.

Why grumpy again? Possibly as he’s let Missy out of the Vault after rescuing Bill and him from Mars. He wants to believe that she has changed, but as ever, cannot be sure of his fellow Timelord and ‘friend’.

We are reminded in the last five minutes of the edges that The Doctor and Missy occupy together, their shared knowledge, their past friendship. 

His fascination with Earth and her sceptical attitude to his do-gooding. We are almost back at where they were with each other in Series Nine just before Skaro and Davros.

Obviously, the Vault and the Doctor’s Oath are factors. He saved her life, she said she’d change.

It’s 8/10 from me. Capaldi, Mackie and Lucas were fine as usual. Dialogue and character dynamic working well and again keeping up with the high points of series ten.

The episode’s effects worked and the beast resembled ancient stone art. Not a dragon, not a beast, tentacles and a wolf like movement. I even enjoyed the talking crow.

A pity it wasn’t filmed in Scotland, although the Welsh countryside was convincing enough though and it worked. 

We are now onto the build up to the series finale. I think we are building to what exactly Missy and the Doctor have. 

She was in tears and moved toward him, he moved backward but did clutch hands with her. It’s a complicated relationship and questions can be asked on their past and where exactly they stand.

We’ve seen John Simm and the question is now as to how a multi-master tale can be pulled off. 

There’s much to anticipate.

Doctor Who s10 e9 – The Empress of Mars

Standalone Fun with nods to classic Who.

Mark Gatiss. A Renaissance Man of our times, one of the League of Gentleman, comedian, writer  for TV and otherwise, co-creator of BBC’s Sherlock, actor, Mycroft Holmes in Sherlock, Tycho Nestoris in Game of Thrones and huge Doctor Who fan, writer and contributor.

‘Sleep No More’ of the nine episodes that he has written for NuWho, was experimental, different and interesting using a ‘found footage’ format to tell a story in a different way. It also carried criticism from fans as it wasn’t easily accessible and thought confusing.

‘Empress of Mars’ is a delight in comparison. A romp, an episode with Victorians on Mars, led there by a servile Ice Warrior (or so it seems).

This episode played to the strengths of Capaldi and Mackie, we were drawn into the tale straightaway with no reference to the preceding mini-arc of the Monks. We have 1881, ‘God Save The Queen’ written on the Martian surface and an amusing opening in the NASA control room. 

British imperial redcoats getting to Mars finding it barren, but being used by their servant ice warrior to find his hive.

Our Queen of this story is the Ice Warrior Queen, who is woken and disturbed by a squaddie seeking loot. The most intriguing lines of the episode are when the Queen seeks Bill’s opinion as a woman.

Neville Catchlove was our Victorian antagonist. What a name. His greed and willingness to disregard his commander almost gave us Victorian Soldiers fighting the Ice Warriors, before The Queen, The Doctor and Bill diffuse the situation. Although that’s after Catchlove locks Bill and The Doctor up and that pesky sonic screwdriver still can’t deal with wood.

We also have questions of the superior tone used by the Victorians with Bill, a black woman and their treatment of the Ice Warrior that led them there as a servant.

The Doctor engages, tries to advise and tries to save the Soldiers from themselves and the revived Ice Queen and her Warriors. 

It’s not a case of The Doctor automatically being there for the humans, but he’s stuck with them after the TARDIS disappears with Nardole. Again the Twelfth Doctor won’t intervene for human stupidity, but rather for both species, which is consistent with his earlier grouchy appearances in Series Eight.

The references to classic who abound, Ice Warriors, also placed into NuWho by Gatiss on a Russian submarine. Monsters of the 60’s and 70’s most memorably with the Third Doctor on Peladon. Alpha Centuri, an alien Ambassador from well, Alpha Centuri, voiced by a 92 year old actress, Ysanne Churchman, who had played the character in the seventies. 

There’s a Queen Victoria portrait with Pauline Collins’ likeness as from Tooth and Claw in the Tenth Doctor’s adventures too. The Tardis previously went haywire around Ice Warriors in the Third Doctor’s first visit to Peladon in 1972’s Curse of Peladon. (Being a saddo and a whovian, I’ve seen that on DVD..)

It’s a standalone episode and it delivers. 8/10 from me, a return to form after the slight disappointment of Lie of the Land. 

My questions

The Tardis disappearing with Nardole and returning with Nardole and Missy. Nothing is linear, necessarily, in time and space.

Victorians on Mars in 1881. Yeah that’s a hell of a rocket, even with Ice Warrior help.

Missy? Did she save the day? Did she save Nardole? Did he seek her help with the Tardis malfunctioning? Why did the Tardis malfunction? What did Nardole and Missy do between leaving and returning to Mars?

And what of those Monks?

These may be questions resolved in the series finale episodes, I do feel the Monks will return and I have a suspicion that there’s another classic who nod in their reveal.

As for next week, Rona Munro is another writer who has written Who before. Although, it was ‘Survival’, the Seventh Doctor’s final adventure before the show was terminated by Michael Grade and the BBC’s corporate morons of the late 1980’s. Somewhat brilliantly though, we have our Doctor returning to Scotland, well Caledonia more correctly, and a tale of the missing IX legion..

I’ll look forward to ‘The Eaters of Light.’

Oh, and on reveals, we’re getting closer to the filming dates of the 2017 Christmas Special and possibly the last episode featuring Peter Capaldi as the Twelfth Doctor, there’s buzz that show insiders know who the next Who is.. we’ll see. Steven Moffat loves a misdirection if nothing else.

Doctor Who s10 e8: The Lie of the Land

Fake News/Alternate News via psychic Zombie Monks.

Bill narrates this episode starting in a distopian earth six months after the Monks take over. It’s a retold history where the Monks were a benevolent guide, but anyone realising the truth is caught by the thought police. Very 1984, very alien invasion gone wrong.

For me it lacked something. I’ve watched episode four times. I cannot fault Pearl Mackie, she sold me the story and convinced me she was at her last straw in shooting her professor. She’s Ace. No I’m mean she’s Ace like the seventh doctor’s companion, younger, brave at heart, true to herself. Much more than Rose. Not knowing like Clara, not fiery Amy either. I think that’s the upside.

Capaldi and Gomez. Doctor and Missy. Inside the vault. The other ‘last’ Time Lord. 

Lost but unbroken, proud, smart and unorthodox. Missy is a great creation and the interplay of words and accents and nuance again raises goosebumps. But she stayed in the vault after suggesting breaking the Monk’s psychic hold by killing the vow maker.

The resolution was poor. Bill as companion saves day after The Doctor fails. The love for her mother breaking the hold of the Monks.

My view

6/10. It wasn’t Extermis, it wasn’t ‘Pyramid’, the potential of a great resolution to the set up was there. 

I wasn’t happy with the ‘fake out’ regeneration. If The Doctor has regeneration energy to spare for tricks, then you think, the blindness, the blindness.. it’s an annoyance when you see it.

 Missy as a consultant Time Lord. Hmmm. 

The Monks leaving. The pyramid flying off. Maybe we’ll get more of a satisfying conclusion in the series finale. We are yet to know much beyond Zombie Monks that analyse time and alternate virtual realities. 

My last thought is that, perhaps there’s a longer edit or ‘director’s cut’ of this episode that might be more satisfying with ten or fifteen minutes of extra scenes.

Doctor Who s10 e7 The Pyramid at the End of the World.

An episode that more or less sets up the next one, but that doesn’t mean there’s not a tale in there.

In terms of story, our alien monks bent on world domination from ‘Extremis’ make a pyramid in the middle of an area where Earth’s different armies face each other.

The Doctor solves the issue with some peace and love, whilst also advocating attacking the Pyramid to show strength.

In a parallel tale, scientists are in a bio-chemical lab with crops and chemicals. 

It turns out that’s the next point of weakness on earth for the monks to exploit as a hungover scientist got a decimal point wrong.

Inevitably, the Doctor has to intervene but his blindness means he can’t work a mechanical numeric lock.

We end with Bill begging the monks for their help and to give her consent as the Doctor’s representative to their take over of the world. 

She also asks for The Doctor’s sight restored to let him escape from the lab.

The concept is one of consent, the monks won’t accept the UN Secretary General’s ‘consent’, they won’t accept the three generals of China, Russia and the US surrendering as they want a genuine affirmation of ‘consent’ to take over the Earth. 

‘To save you, we must be asked’

The Doctor realises the conditions of the monk’s help, he realises their domination and realises it’s the end of freedom on earth.

It’s an allegory after Brexit and the election of Trump. 

Popularist politics and people giving consent by voting for feeling and ideas over facts and reality. 

Perhaps, the simplification of political discussion and debate with a herd of voters overreliant on what they read and see in the media.

‘Power must consent to our dominion.’ ‘We must be wanted, we must be loved.’

Sounds familiar, the alien monks do have a parallel in the world and times that we live in.

There’s fear and paranoia and mistrust with a critical situation that the Doctor can resolve through talking with the army commanders. 

He can’t fix all the world’s problems on the horizon and be everywhere though. The Monks can and will as they’ve modelled for every situation in their artificial realities shown in Extremis.

Through logic and help from Nardole, The Doctor finds the laboratory and narrows the search for the World’s next possible crisis.

We realise that The Doctor isn’t infallible, his blindness doesn’t help in the end where he comes up with a scheme to destroy the laboratory.

The monks intervene after Bill’s heartfelt plea for help. She has no other option but to ask.

Lines worth recalling.

Air, Water, Food, Beer‘ – Nardole’s essentials for life.

It’s your world.’ – The Doctor emphasises his alienness at the point the Generals wanted his council and they end up trying to speak to the monks to give their consent as a ‘smart move’.

Oh my god

No, I’m the Doctor


A conspiracy thriller, a tale of threats and power. Facing fear, standing up to those more powerful than you.

The Doctor runs out of luck, his blindness and Nardole being incapacitated by the chemicals in the lab means the lock’s failsafe numbered tumblers beat him.

Bill acts from love and concern for her friend and the Monk’s take over the world. Quite a cliffhanger.

The Doctor is safe from the Laboratory explosion but is told 

Enjoy your sight Doctor, now you’ll see OUR world.’

I can’t fault Capaldi, Mackie or Lucas, they all excelled and were convincing. 

I felt it was a lot of story to get into 45 minutes. No doubt the usual critics will say it was too complex, it was ambitious storytelling , a development upon The Doctor previously being ‘President of the World’ in times of alien threat and at its core an allegory on power and threat and domination by ‘consent’. 

We also had the context of the Doctor’s blindness, insofar as he was fine for much of the episode until he hit a lock the sonics couldn’t beat.

The story continues in ‘The Lie of the Land.’

Doctor Who Series Ten. Halfway Through.

Extermis took us on a trip backwards and also was a story of might have been. As much as I liked it, there’s the inevitable onslaught on Twitter. ‘Too complicated’ ‘Moffat had to spoil things’ etc. 

The issue from fans being that after 5 straightforward and relatively linear tales to establish Bill and the premise of the vault and the Doctor staying on Earth, the episode had artificial reality and flashbacks. 

At its most simple, the Doctor has his back to the vault, blind and unsure. He receives an email through his Sonic Glasses, which he reads and it also triggers a recollection about saving Missy. 

The email came from a virtual reality version of himself within a simulation created by an alien species that want to invade Earth. His recollection of Missy’s near-execution and the phrases written by his wife, River Song and delivered by her servant, Nardole.

Linear stories are fine and good and I understand where the traditionalists or such viewers and whovians are coming from. 

But the Doctor is a Time Lord travelling in time and space and in a television age where ‘flashbacks’, ‘sideplots’, ‘subplots’ are all prevalent even in conventional contemporary dramas. I’ve recently seen theories that ‘Line of Duty’, a BBC police procedural drama might have a story seeded in its first series. 

Doctor Who is sci-fi with aliens and space travel, what sets it apart is the ability to go back and forward in time too. I think producers and showrunners have usually kept things pretty simple. TARDIS shows up, Doctor and his assistants/companions help someone and bad guy gets defeated. 

The Doctor rarely crosses his own time stream, he doesn’t usually use the TARDIS to go backward slightly from his situation and resolve things merely by time travel. He has met on occasion his previous incarnations, at its most complex and ‘timely-wimey’, the Doctor had a broom and a fez so you could follow his escape from the Pandorica.

So, Extermis wasn’t complex in my view and although different in narrative to the previous five episodes it was very enjoyable. At some point the vault and its occupant had to be explained, at some point, the how’s and whys of Nardole and ‘the Husbands of River Song’ needed an explanation.

I think we’re set for the series last episodes, the Christmas special and the regeneration.

In speculation, names are appearing on the new Doctor and I’ve even seen a convincing but unexplained teaser trailer clip for the new Doctor. We know through the media about a big spoiler as they saw a clip of The Master in the promotional videos for the new series. The fan websites are speculating on the pictures of River Song and Susan Foreman on the Doctor’s desk. Clara has been mentioned too. We’ve had speculation on Bill dying and not being around for Series Eleven.

We can reckon on the creepy alien monks, we can speculate on cybermen. 

I’ll throw my thoughts in below.

I’d love to see River Song, she can’t be dead insofar of her timeline crossing and weaving through the Doctor’s in any case and I wonder if Steven Moffat might have been tempted by a River vs Missy confrontation.

I’ve missed Vastra, Jenny and Strax, but Christmas special could be best hope, on that Christmas special, it might be Capaldi’s last episode but it could be like the Tennant specials in being longer and more involved. If the leaks on some involvement or meeting with the First Doctor are true, then I’ll look forward to it.

In terms of regeneration, there’s a still of the Doctor with arms out regenerating doing rounds so far, but my feeling is that it might be episode eight and may only be to save the Twelfth Doctor’s sight. I’ve seen a theory that the Doctor has spent his regeneration energy (Davros series nine) and that Twelve’s death and regeneration is somehow botched.

On other regeneration news, if it is Kris Marshall as ‘Thirteen’ then fair enough, his time in Death in Paradise combined drama with comedy and his character was slightly eccentric. I think he can carry the role and I think he’s a push closer to Tennant and Smith in age but probably with more experience. I think we may see Thirteen earlier than expected, given some of the quotes and chat in the press and that the regeneration might be a complex one. 

I recently saw a Seventh doctor DVD and the tribulations involving the casting of Sylvester McCoy were included as a feature and his ability to be a comic shambles whilst convingly put across The Doctor in his first drama was interesting to see. I’ve also seen again some of the 1989 series where his Doctor is darker, scheming and manipulative using the pleasantness and humour to screen his doings. There’s certainly an opportunity for a comic actor in the role and certainly Marshall fits that whilst also having creditials of carrying a show and replacing a previous lead too.

We’ll see when the next Doctor is confirmed as the time frame for filming the Christmas Special is now narrowing.

Obviously, in the next few episodes we’ll see Missy in the here and now rather than flashback.

 She won’t have ‘went good’ as suggested at her ‘execution’, she’ll help the Doctor if it suits her. She’ll inevitably betray The Doctor, but given how he dealt with a scheming Davros previously, I think we can expect the Doctor to have considered that. 

We’ve seen Nardole blossom. He was almost Doctorlike with Bill in Extermis and huge praise for Matt Lucas in patiently building the role. I think there’s more to come and that he will again somehow save the day.

Pearl Mackie has been tremendous as Bill, but I guess will take a step back for The Doctor for the last six episodes. She’s now an accustomed traveller in the TARDIS, and we’ll see if she is key in the overall arc for the series. If she wants to stay as companion for Thirteen, she should be given the opportunity. I don’t know if a complete blank slate for Series 11 is a good idea or not.

Capaldi has been tremendous as Twelve he deserves a memorable finale and I hope the next six episodes starting tonight are as good as the first six.

I’ll post on ‘The Pyramid at the End of the World’ later.